William Laud
William Laud was Archbishop of Canterbury from 1633–1640 and remains among the most controversial figures in the history of Anglicanism. Heralded by many as a martyr and condemned by others as a tyrant and bigot, Laud was among the most visible proponents of a uniquely English brand of anti-Calvinism in the seventeenth-century Church. As such, he was in near constant conflict with English Puritans of his day.
Even before his elevation to the See of Canterbury, Laud was somewhat of a liturgical and ecclesiastical innovator. During his term as dean of Gloucester, he caused great consternation (as so many priests throughout the ages have) by moving furniture. Laud moved the altar table in Gloucester to the east wall — the location typical of most altars before the Reformation. This move brought upon him the ire of his bishop and local Puritans, suspicious of a reintroduction of a Roman Catholic custom.
Laud’s movement of the altar was a liturgical manifestation of his theological persuasion that the Church of England followed in unbroken succession from the pre-Reformation Roman Catholic Church in England, although under the supreme governance of the king and the oversight of bishops. This belief led him to stridently impose liturgical uniformity throughout the church, seeking that all things be done “decently and in good order” in the “beauty of holiness.” His increased emphasis on the celebration of the sacraments was often viewed as contrary to Reformation doctrines of salvation through faith alone. An abortive attempt to impose The Book of Common Prayer on Scotland in 1637 marked the apex of his time as Archbishop of Canterbur y. By 1638 Scottish leaders pledged to resist the new prayer book and uphold Puritan practice by force, and by the end of the year, no bishops remained in Scotland.
Laud was sincere in his beliefs but dangerously out of touch with common persuasions in England of his time. His fierce defense of the Church’s privileges and prerogatives came at the same time as a growing sentiment against the divine right of kings, and his strident rule as Archbishop of Canterbury in favor of liturgical uniformity won him few friends. By 1641 he was impeached and carried away to theTower of London.
He was sentenced to death in 1645. At his execution, he said, “The Lord receive my soul, and have mercy upon me, and bless this kingdom with peace and charity, that there may not be this effusion of Christian blood amongst them.”
Teresa of Avila
Not many seven-year-olds run away to accept martyrdom among the Moors, but not many children grow up to become a Doctor of the Church, either. Teresa de Cepeda y Ahumada, known as Teresa of Avila, was born in 1515 to a wealthy Spanish family.
In 1538 she began to suffer from a chronic illness that affected her for years. During her illness, she experienced visions and revelations. Upon her recovery, she entered a Carmelite convent where she fell into the lax convent life — social visits of wealthy patrons were better attended than prayers. Teresa recommitted herself to a life of prayer and began to experience visions and interior messages from God. Fearful that her visions might be of the devil, Teresa consulted with others in discernment. One priest told her no woman with a life so full of imperfections could receive divine messages.
Fortunately, Teresa received wiser insight and finally embraced her visions, which began to involve raptures and levitation. One of her raptures was the inspiration for Bernini’s (some would say scandalous) sculpture The Ecstasy of Saint Teresa. She wrote of the moment in her autobiography: “I saw…a long spear of gold, and at the iron’s point there seemed to be a little fire. He appeared to me to be thrusting it at times into my heart, and to pierce my very entrails; when he drew it out, he seemed to draw them out also, and to leave me all on fire with a great love of God. The pain was so great, that it made me moan; and yet so surpassing was the sweetness of this excessive pain, that I could not wish to be rid of it.”
Teresa’s life is a model of one who, through addition and subtraction, leaves us with a legacy of deep prayer, mysticism, and a shining example of dedication to God.